Haciendas serranas y espacios rurales: dinámicas históricas y representaciones en largometrajes de ficción
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Universidad Industrial de Santander
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En el presente texto analizamos las dinámicas históricas y las representaciones de la hacienda serrana y el espacio rural en filmes de ficción ecuatorianos producidos entre 2009 y 2014. Como estudio de caso, nos remitimos al largometraje Feriado, de Diego Araujo, anotando correlaciones pertinentes con Impulso, de Mateo Herrera, En el nombre de la hija, de Tania Hermida, y El facilitador, de Víctor Arregui. Estos filmes toman a la hacienda serrana y al espacio rural como eje espacial, e incluso narrativo, aunque la articulación de la trama resida en aspectos psico-identarios de los personajes.
De esta manera, para trazar lazos de comprensión y representación de la hacienda, enmarcamos el estudio en una panorámica de su conformación histórica en la Sierra del actual Ecuador con acento en los quiebres de las reformas agrarias, elementos clave del siglo XIX y referencias angulares del período colonial. Asimismo, delimitamos los temas recurrentes de su representación fílmica, dirigiendo nuestra atención a la trayectoria de los personajes, que consideramos representaciones icónicas de los actores sociales de espacios de ruralidad vivenciales y transformadores.
In the following paper we aim to examine the hacienda serrana dynamics (mountain range estate dynamics) and its representations depicted in Ecuadorian films, produced between 2009 and 2014. We focus on the movie Feriado, by Diego Araujo, from which we trace pertinent links with other films: Impulso, by Mateo Herrera, En el nombre de la hija, by Tania Hermida and El Facilitador, by Víctor Arregui. These four fictional films take the hacienda as a spatial, and even narrative, center of interest, although their plot may be placed in psychological and identity aspects of the characters. In order to define links between the grasp and the representation of the hacienda, we frame this study in a historical characterization of key elements of the hacienda, such as the ruptures of the agrarian reforms, angular accents of the XIX century and constitutive references in the colonial period. We also analyze the recurrent themes of its filmic representation produced in the character trajectories, characters which we conceive as iconic representations of social inhabitants of these experiential and transforming rural spaces.
In the following paper we aim to examine the hacienda serrana dynamics (mountain range estate dynamics) and its representations depicted in Ecuadorian films, produced between 2009 and 2014. We focus on the movie Feriado, by Diego Araujo, from which we trace pertinent links with other films: Impulso, by Mateo Herrera, En el nombre de la hija, by Tania Hermida and El Facilitador, by Víctor Arregui. These four fictional films take the hacienda as a spatial, and even narrative, center of interest, although their plot may be placed in psychological and identity aspects of the characters. In order to define links between the grasp and the representation of the hacienda, we frame this study in a historical characterization of key elements of the hacienda, such as the ruptures of the agrarian reforms, angular accents of the XIX century and constitutive references in the colonial period. We also analyze the recurrent themes of its filmic representation produced in the character trajectories, characters which we conceive as iconic representations of social inhabitants of these experiential and transforming rural spaces.