Horror film as representation of human existence
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Universidad Industrial de Santander
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Este es un introductorio sobre el análisis de la existencia fundamentada en Cioran, ejemplificada en el cine de terror. El trabajo mencionado, titulado “El cine de terror como representación de la existencia humana” inicia con la explicación del nacimiento como originador de un trauma universal que sentencia a los seres humanos a la frustración, haciendo parte inherente de la vida: el dolor y el miedo. Luego, se tratan estos tres conceptos básicos, el dolor, el miedo y la muerte como innatos en la existencia para relacionarlos con las imágenes que brinda el cine de terror.
This is an introductory about the analysis of existence based on Cioran, exemplified in the horror genre films. The mentioned work, entitled "Horror film as representation of human existence" starts with the explanation of the birth as originator of universal human trauma that sentence to human beings to the frustration, being inherent part of life: the pain and the fear. Then, identified three basic concepts, pain, fear and death as innate in existence to relate images that gives the horror films.
This is an introductory about the analysis of existence based on Cioran, exemplified in the horror genre films. The mentioned work, entitled "Horror film as representation of human existence" starts with the explanation of the birth as originator of universal human trauma that sentence to human beings to the frustration, being inherent part of life: the pain and the fear. Then, identified three basic concepts, pain, fear and death as innate in existence to relate images that gives the horror films.
Palabras clave
Nacimiento, trauma, dolor, miedo, muerte, cine de terror, Birth, trauma, pain, fear, death, horror film