Publicación: UN ACERCAMIENTO A LA OBRA DEL MAESTRO BLAS EMILIO ATEHORTÚA A TRAVÉS DE SU SONATA PARA VIOLONCHELO Y PIANO OP.186 (1995)
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Sumario Introducción. 1. Blas Emilio Atehortúa. 2. Sonata para violonchelo y piano Op. 186. 3. Características y exigencias técnicas para el violonchelo. 4. Análisis de la sonata para violonchelo y piano Op. 186. Conclusiones. Referencias. RESUMEN Este trabajo busca fomentar la reflexión sobre la literatura musical escrita por el maestro Blas Emilio Atehortúa (1943) quien ha sido reconocido como uno de los grandes compositores Latinoamericanos de nuestra época. Sin duda, su labor como compositor y como profesor ha generado movilidad en el ámbito musical latinoamericano. Su reconocida trayectoria e innovación hace que su música sea atrayente tanto para la ejecución como para su estudio. Por esta razón, todo ejercicio reflexivo sobre su creación resulta importante para nuestra autocomprensión. Dada rigurosidad que merece dicho análisis este trabajo abordará el estudio de su la Sonata para violonchelo y piano Op. 186 (1995).El artículo presentará, primero, una breve reseña y contextualización del pensamiento, la postura y la historia del compositor. En un segundo momento caracterizará de un modo general la obra en cuestión. Luego describirá las exigencias técnico -interpretativas que en ella se pueden encontrar, y por último completará, a partir de éstas, un análisis musical de la obra. PALABRAS CLAVE: Atehortúa, violonchelo, Análisis Musical, Interpretación Musical, Música Latinoamericana.
ABSTRACT This work develops a reflection on the musical literature written by the Composer Blas Emilio Atehortúa (1943), who has been recognized amongst the great Latin-American composers of our time. Without doubt, his work has encouraged younger composers. His innovative style has brought the attention of musicologists and music interpreters. This is a string reason, to understand that any reflective exercise is more than important for ourself-comprehension as Latin-Americans. Given the exigencies that the analysis of his work is faced up with, this article will only analyse his Cello and Piano Sonata Op. 186 (1995).This article will first give a brief account of his history and thought. Then it will characterize in general manner the sonata, in order to describe, thirdly, the technical and interpretative difficulties it offers to any interpreter. Thereafter the article will be able to give a general musical analysis of the work. KEY WORDS: Atehortúa, violoncello, musical analysis, musical analysis, Latin-American Music.
ABSTRACT This work develops a reflection on the musical literature written by the Composer Blas Emilio Atehortúa (1943), who has been recognized amongst the great Latin-American composers of our time. Without doubt, his work has encouraged younger composers. His innovative style has brought the attention of musicologists and music interpreters. This is a string reason, to understand that any reflective exercise is more than important for ourself-comprehension as Latin-Americans. Given the exigencies that the analysis of his work is faced up with, this article will only analyse his Cello and Piano Sonata Op. 186 (1995).This article will first give a brief account of his history and thought. Then it will characterize in general manner the sonata, in order to describe, thirdly, the technical and interpretative difficulties it offers to any interpreter. Thereafter the article will be able to give a general musical analysis of the work. KEY WORDS: Atehortúa, violoncello, musical analysis, musical analysis, Latin-American Music.