BREVES CONSIDERACIONES SOBRE LA NUEVA MÚSICA, SOBRE SU CREATIVIDAD, INTERPRETACIÓN Y RELACIÓN ENTRE EL COMPOSITOR Y EL INTÉRPRETE.
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Universidad Industrial de Santander
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RESUMENLa música erudita o sea la música que parte del conocimiento como resultado de una formación académica, plantea en el momento actual, ya en los preámbulos del siglo XXI, un sinnúmero dé procedimientos técnicos, que lógicamente se incorporan a la tradición musical de más de quinientos años en el proceso histórico. Esto no significa que elementos electrónicos como los computadores o nuevos procedimientos de grafía, vayan a desplazar los conceptos existentes, o que nuevos principios de estructura, forma y lenguaje como las teorías probabilísticas, el politonalismo y el microtonalismo, y otros más, descarten lo ya aportado por los grandes maestros de pretéritos tiempos.Con éste trabajo, presento algunas invenciones y descubrimientos en cuanto a técnicas de composición se refiere, utilizadas en las últimas décadas que pueden ser de gran utilidad informativa para quienes estén interesados en el tema.
SUMMARYErudite music, that is music that starts with the knowledge resulting from academic learning, poses nowadays, near the XXI Century, several technical procedures which obviously are part of a tradition of more than hundred years of history. This does not mean that electronic elements such as computers o new musical notation will shift the existing concepts or that the new principies of structure, form and language like the probabilistic theories, politonality and microtonality will discard what has been contributed by the great masters of past times.In this paper, 1 present some inventions and discoveries concerning composition techniques that have been used in the last decades some of which may be usefuld information for those interested in the field.
SUMMARYErudite music, that is music that starts with the knowledge resulting from academic learning, poses nowadays, near the XXI Century, several technical procedures which obviously are part of a tradition of more than hundred years of history. This does not mean that electronic elements such as computers o new musical notation will shift the existing concepts or that the new principies of structure, form and language like the probabilistic theories, politonality and microtonality will discard what has been contributed by the great masters of past times.In this paper, 1 present some inventions and discoveries concerning composition techniques that have been used in the last decades some of which may be usefuld information for those interested in the field.