Déconcert: una filosofía post-derridiana
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Universidad Industrial de Santander
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Así como en la fotosíntesis las hojas reciben su alimento a través de la luz del sol; la literatura recibe su material alimenticio subjetivo en la forma de nuevas ideas literales a través del mecanismo husserliano de époche ó fotomecanismo. —Una clase dinamismo de époche—. En una relectura de Edmund Husserl la noción de époche atraviesa Pheno→Foto→Palabra donde se pueden redescubrir nuevas dimensiones mediante la menisfestación de una nueva dimensión: Fenomenología→ Decostrucción→Déconcert, desde lo filosófico, podría explicarse como: "La teoría de sintagmas culturales por fotodinámicas al ser en sí misma literatura, hacer y actuar todo al mismo tiempo". Deconstrucción concertada es sólo un esfuerzo hacia la exploración de la metafísica resultante de la filosofía de la Deconstrucción derridiana en la era actual. Más allá de todo eso trata de un esfuerzo por repensar la fenomenología de Husserl con mayor cientificidad después de la Deconstrucción de Derrida hacia la apertura de nuevas dimensiones Deconcéntricas. Una de esa nueva clase de dimensión puede denominarse Fotofenomenología como una rama de la fenomenología en la escuela de Humanidades Concertivas.
In the ‘Photosynthesis’ mechanism where tree leaves receive and prepare their food materials through sunlight. We may find it the same as in all Literature. While they receive their subjective food materials in the form of new literal ideas only through this everlasting Husserlian mechanism of ‘epoché’ or, it’s “Photö-mechanism”— the kind dynamism of ‘epoché’— the “Photö-Dynamics (PD)”. In researching Edmund Husserl’s everlasting notion ‘epoché’ through Pheno→Photö→Word→Art concertment, one can re-discover so many new dimensional lights towards manifestation one of a new Phenomenology→Déconstruction→Déconcert dimension. ‘Déconcert’ from philosophical feature, may be explained as: “The theory of culturing syntagms by ‘photö-dynamics’ (PD), by concerting themselves with suitable literature(s), making and plying all at a time”. “Concerting Deconstruction” is only an effort towards exploration of the resultant-metaphysics of Derrida’s Philosophy of Déconstruction in the present era. Above all it’s an effort towards, the re-thinking of Husserl’s Phenomenology more scientifically after Derrida’s Deconstruction; and opening-up of new Déconcertic dimensions—. One of new kind dimension may be presented as “Photö-Phenomenology”; as a new branch of “Phenomenology” under Concertive Humanities.
In the ‘Photosynthesis’ mechanism where tree leaves receive and prepare their food materials through sunlight. We may find it the same as in all Literature. While they receive their subjective food materials in the form of new literal ideas only through this everlasting Husserlian mechanism of ‘epoché’ or, it’s “Photö-mechanism”— the kind dynamism of ‘epoché’— the “Photö-Dynamics (PD)”. In researching Edmund Husserl’s everlasting notion ‘epoché’ through Pheno→Photö→Word→Art concertment, one can re-discover so many new dimensional lights towards manifestation one of a new Phenomenology→Déconstruction→Déconcert dimension. ‘Déconcert’ from philosophical feature, may be explained as: “The theory of culturing syntagms by ‘photö-dynamics’ (PD), by concerting themselves with suitable literature(s), making and plying all at a time”. “Concerting Deconstruction” is only an effort towards exploration of the resultant-metaphysics of Derrida’s Philosophy of Déconstruction in the present era. Above all it’s an effort towards, the re-thinking of Husserl’s Phenomenology more scientifically after Derrida’s Deconstruction; and opening-up of new Déconcertic dimensions—. One of new kind dimension may be presented as “Photö-Phenomenology”; as a new branch of “Phenomenology” under Concertive Humanities.
Keywords
foto, fotosintagmática, fotodinámica, fotovita, Photö, Photösyntagmatics, Photö-Dynamics, Photö-Vita