EL JUEGO COMO HILO CONDUCTOR DE LA EXPLICACIÓN ONTOLÓGICA: UNA APROXIMACIÓN A LA TESIS DE GADAMER
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Universidad Industrial de Santander
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RESUMEN Este acercamiento a una de las tesis centrales de Hans-Georg Gadamer que desarrolla en su libro "Verdad y Método" volumen 1y que posteriOlmente retoma y profundiza de una manera magistral en su texto "La Actualidad de lo Bello", pretende explorar uno de los pilares conceptuales en que el autor ancla, en una primera instancia, la explicación ontológica de la obra de Arte, a través del hilo conductor del concepto de Juego. El filósofo, inicia la discusión con un interrogante que involucra la experiencia del conocimiento en las Ciencias del Espíritu y su relación con la Verdad. Esto con el objeto de "desmitificar" el método científico como única vía posible para el conocimiento de esa Verdad. De allí que se proponga explicar ontológicamente la Obra de Arte desde el Juego, que es el tema del cual trata este ensayo.
SUMMARY This approach to one of the Hanss-Georg Gadamer theses is developed in his book "Truth and Method" -First volume- subsequently he went into this topie in depth in his text "La actualidad de lo bello", it attempts to explore one of the crucial concepts in which the author focuses his ideas. First the ontological explanation of "the work of art" through the concept of play. The philosopher begins the discussion with a question that involves the experience of knowledge in the Sciences of the Spirit and their relationship with the truth. His porpose is to demythologize the scientific method as the only possible way of knowing the truth; using this basis he aims to give an ontological explanation of "the work of art". From the point of view of play - the subject of this essay.
SUMMARY This approach to one of the Hanss-Georg Gadamer theses is developed in his book "Truth and Method" -First volume- subsequently he went into this topie in depth in his text "La actualidad de lo bello", it attempts to explore one of the crucial concepts in which the author focuses his ideas. First the ontological explanation of "the work of art" through the concept of play. The philosopher begins the discussion with a question that involves the experience of knowledge in the Sciences of the Spirit and their relationship with the truth. His porpose is to demythologize the scientific method as the only possible way of knowing the truth; using this basis he aims to give an ontological explanation of "the work of art". From the point of view of play - the subject of this essay.