SABOR A MÍ: LA REESCRITURA, DE LA HISTORIA EN UN ENTRAMADO PALIMPSÉSTICO.
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Universidad Industrial de Santander
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RESUMENEl presente ensayo tiene como propósito reconocer cuál ha sido el papel de la Historia de Colombia como hipotexto, en el devenir de la novela Sabor a mí de Silvia Galvis. Una escritora que asume su texto como posibilidad de recrear una época, la década de los cincuenta, pero no lo hace empleando elementos propios del método histórico, sino creando una metaficción en la que las historias ficcionalizadas se confunden con los hechos de esa ltístoria no oficial, que trata de recuperar temas -modos de vida, refranes, heteroglosias, modas, costumbres en general-, personajes y voces, que la Historia oficial ha excluido de sus reconstrucciones del pasado. Es, entonces, comprensible que Sabor a mí transgreda las formas genéricas de la novela y asuma, unas veces la apariencia de un diario o de una crónica, otras, la del relato testimonial y algunas otras, la de un texto organizado por capítulos, cuyos títulos intentan desvirtuar la noción de lo literario, y de cierta manera burlarse de las formas canónicas.
ABSTRACTThis essay has the construction of recognizing the role of Colombian History as hypertext in the devenir of Silvia Galvis'novel Sabor a mí. This writer appropiates its text as a possibilite to recreate an epoch, the fifties. Does not do it by utilizing the elements characteristic of the historic melhod, but rather by creating a metafietion in whieh lhe fictionalized stories are confounded with the facts of that non fictional History that tries to recapture themes (lifestyles, proverbs, heteroglosies, fashions, general costumes), characters and voices that the oficial History has excluded from reconstructions of lhe pas!. It is then understandable that Sabor a mí breaks the generie form of the novel to assume, sometimes the appearance ofa diary or a chronicle, sometimes that of a testimonial discourse, and others that of a text organized in chapters which titles intend to devalue the notion of the literary and, in some way, mock the canonical forms.
ABSTRACTThis essay has the construction of recognizing the role of Colombian History as hypertext in the devenir of Silvia Galvis'novel Sabor a mí. This writer appropiates its text as a possibilite to recreate an epoch, the fifties. Does not do it by utilizing the elements characteristic of the historic melhod, but rather by creating a metafietion in whieh lhe fictionalized stories are confounded with the facts of that non fictional History that tries to recapture themes (lifestyles, proverbs, heteroglosies, fashions, general costumes), characters and voices that the oficial History has excluded from reconstructions of lhe pas!. It is then understandable that Sabor a mí breaks the generie form of the novel to assume, sometimes the appearance ofa diary or a chronicle, sometimes that of a testimonial discourse, and others that of a text organized in chapters which titles intend to devalue the notion of the literary and, in some way, mock the canonical forms.