Escribir del risorgimento a la decadencia: la novela entre Italia y Sicilia
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Universidad Industrial de Santander
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Este escrito tiene como objeto dar cuenta de las relaciones existentes entre la retórica y la cuestión nacional en la prosa italiana risorgimentale y en su negación siciliana novecentesca. Se procede al análisis del magnum opus de Ippolito Nievo (Confessioni di un italiano) para rescatar en él la temática dantesca (§1) y para explicitar el objetivo ideal y prescriptivo de esta pieza de arte (§2). Finalmente, se analizan los elementos comunes pero axiológica y estéticamente opuestos presentes en la novela de Pirandello I vecchi e i giovani y en Il gattopardo de Giuseppe Tomasi di Lampedusa (§3).
The aim of this paper is to give an account of the relations existing between rhetoric and the quest for a nation in the Italian risorgimentale prose and its Sicilian negation in the 20th century. We analyze Ippolito Nievo’s magnum opus (Confessioni di un italiano) trying to find out the tradition that comes from Dante (§1) and the ideal and prescriptive scope of this piece of art (§2). Finally, we search the common but nonetheless morally and esthetically opposed elements in Pirandello’s I vecchi e i giovani and Tomasi di Lampedusa’s Il gattopardo (§3).
The aim of this paper is to give an account of the relations existing between rhetoric and the quest for a nation in the Italian risorgimentale prose and its Sicilian negation in the 20th century. We analyze Ippolito Nievo’s magnum opus (Confessioni di un italiano) trying to find out the tradition that comes from Dante (§1) and the ideal and prescriptive scope of this piece of art (§2). Finally, we search the common but nonetheless morally and esthetically opposed elements in Pirandello’s I vecchi e i giovani and Tomasi di Lampedusa’s Il gattopardo (§3).
Keywords
Italia, Sicilia, historia, eternidad, muerte, Italy, Sicily, history, eternity, death