Entorno disyunto
| dc.contributor.advisor | Bernal Valderrama, Luis Fernando | |
| dc.contributor.author | Jerez Torres, Luis Felipe | |
| dc.date.accessioned | 2024-03-03T16:13:50Z | |
| dc.date.available | 2006 | |
| dc.date.available | 2024-03-03T16:13:50Z | |
| dc.date.created | 2006 | |
| dc.date.issued | 2006 | |
| dc.description.abstract | La propuesta en desarrollo enmarca la periferia urbana, como es agredida con nuestros desechos, dichos espacios son transferidos a un contexto plástico diferente dentro del proyecto; demarcando atmósferas que encierra zonas verdes, cubiertas por infinidad de texturas, formas, colores, que deja todos esos desechos; manejando una calidad textural, con una forma de impresión entre la luz y la sombra de dichas aglomeraciones, proponiendo interpretar nuestros alrededores de una mirada plástica. A su vez, se pretende comprometer al espectador a través de su imaginación y desde la perspectiva artística, se forme sus propias imágenes, de cómo visualiza de una manera interior un nivel descriptivo de nuestro entorno; el desarrollo parte de lecturas del tema tratado, acudiendo a la vivencia personal, recopilando información visual de videos, fotografías, bocetos; la obra la desarrollo con un texturado en espátula, manejo de colores fuertes a grisáceos, con la intención de separar planos; la presentación del bastidor casi cuadrado es con la intención de tomar buena atmósfera, la aplicación de capas da movimiento y plasticidad. Siempre observo un paralelo entre el entorno y lo que se graba en lienzo, y como lo represento de una manera subjetiva, el patrón rítmico busca excitar en la imprimación de la pintura, con un repliegue de formas texturales, mi finalidad es reseñar conciencia ecológica, como estudiante de arte expresarlo con la plasticidad del color con un sentir compartido visual y artísticamente. | |
| dc.description.abstractenglish | The proposal that is being developed, enclose the urban periphery and the way how it is assaulted with our wastes materials, these places are transferred to different a plastic context within the project; shaving atmospheres textiles, forms, colors. That let all the waste material, managing a textured quality, with an effect of impression between the light and the shadow madly by these conglomerations, proponing us to interpret the environment of a plastic view. At the same time, there is a seek to compromise the spectator by means of his imagination; and that from his artistic perception, he could shape his own images of what he visualizes in a insight way a descriptive level of our environment. The development comes from readings of the related topic, thinking about the personal experiences, joining visual information from videos, photographs, and sketches. The work was developed with a textured in spatula handling strong and grayish colors, with the purposes to separate planes. The presentation of the easel almost square has the same intention to form a good atmosphere, the application of layers which gives movement and plasticity. I always observe a parallel between the environs and what is engraving in the painting and how it was represented in a subjective way, the rhythmic pattern looks to excite since the print of the painting, with a refold of textured forms, my aim as a student or arts is to teach ecologic consciousness, which is expressed with the plasticity of the color with a visual feeling which is shared artistically. Tesis Project | |
| dc.description.degreelevel | Pregrado | |
| dc.description.degreename | Maestro en Bellas Artes | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.instname | Universidad Industrial de Santander | |
| dc.identifier.reponame | Universidad Industrial de Santander | |
| dc.identifier.repourl | https://noesis.uis.edu.co | |
| dc.identifier.uri | https://noesis.uis.edu.co/handle/20.500.14071/19123 | |
| dc.language.iso | spa | |
| dc.publisher | Universidad Industrial de Santander | |
| dc.publisher.faculty | Instituto de Proyección Regional y Educación a Distancia | |
| dc.publisher.program | Bellas Artes | |
| dc.publisher.school | Instituto de Proyección Regional y Educación a Distancia | |
| dc.rights | http://creativecommons.org/licenses/by/4.0/ | |
| dc.rights.accessrights | info:eu-repo/semantics/openAccess | |
| dc.rights.creativecommons | Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) | |
| dc.rights.license | Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0 | |
| dc.subject | Periferia | |
| dc.subject | Aglomeración | |
| dc.subject | Desechos | |
| dc.subject | Aledañas | |
| dc.subject | Texturas. | |
| dc.subject.keyword | Periphery | |
| dc.subject.keyword | Conglomeration | |
| dc.subject.keyword | Waste materials | |
| dc.subject.keyword | Forms. | |
| dc.title | Entorno disyunto | |
| dc.title.english | Disyuntive enviroment | |
| dc.type.coar | http://purl.org/coar/version/c_b1a7d7d4d402bcce | |
| dc.type.hasversion | http://purl.org/coar/resource_type/c_7a1f | |
| dc.type.local | Tesis/Trabajo de grado - Monografía - Pregrado |